Scott Stapp, The Great Divide (2005, Wind-up records)
History,
they say, is written by the winners, and this is no less true in the world of
popular music. Albums by million-selling artists like Michael Jackson and U2
stick in the popular consciousness like thorns, while others who aren't so
lucky are tossed away like yesterday's newspaper. But why are some albums
idolised while others are relegated to clearance bins, second-hand record sales
or abandoned in the street? Why are some truly pioneering, meaningful records
forgotten, while the Radioheads of this world are heaped with undeserved
critical praise? I have taken it upon myself to undo this great injustice and
take a look at these ignored gems: the albums the world forgot.
No album embodies the fickle nature of public taste more than Scott Stapp's lone solo album The Great Divide, a daring work from a much-loved artist that was perhaps too complex for its own good. The title alone has multiple interpretations: is it a reference to the shocking break-up of Stapp’s former band (seminal hard-rock act Creed), or the divide between this earthly world and the next? Could it even be alluding to the metaphorical distance between the performer and his audience? Clearly, this is a multi-layered work.
Freed
from the constraints of his former band, The
Great Divide is the perfect medium for Stapp’s undeniably charismatic vocal
style. Stapp is in fine form throughout, his powerful delivery perfecting the
uneven angst of early grunge artist Kurt Cobain. "This is my fight song!" he declares on aggressive rocker
Fight Song, and you can’t help but
believe that it’s true. There are
lighter moments to be found on the album too: "Keep hoping and dreaming and you… will soar!" he sings
on moving ballad You Will Soar. One could
almost imagine that Stapp is singing to himself, convincing himself that yes,
he can make it without his talented
former band-mates.
Ultimately,
though, it seems that ‘the great divide’ was one between Stapp's unconventional
vision and the public's expectations. Creed fans were not prepared for Stapp's
confrontational style and The Great
Divide was left to languish in The Warehouse's bargain bin, “priced to
clear” at $2.97. "Do you know what
it feels like to be broken and used?" Stapp sings on album closer Broken. No, Scott, but I imagine that it
doesn’t feel so great.
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